My name is Riley, and I play drums and write music for a band called Thrice.
This is where I ramble about music, sports, food, books, interwebbery, and whatever else I feel like sharing. I apologize in advance.
In addition to my ramblings here, I write a piece for OC Weekly called "3hree Things" that runs every Tuesday, and I'm also writing over at Flip Collective on occasion.
I'm the co-founder of a baseball-specific twitter feed and blog with my friend Ian, called Productive Outs.
And last, but not least, I have a bandcamp page and a soundcloud page that I'll be posting my own music and remixes on every once in a while.
Disclaimer: The views and opinions presented on this blog are mine, and do not reflect the position or views of the band as a whole.
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“The Artifact and Living” by Michael Andrews (Original Soundtrack from Donnie Darko)
from Wikipedia (emphasis, mine):
Andrews considers himself primarily a guitar player, but Kelly told him he didn’t want any guitar in the movie. So, Andrews taught himself to play piano. It’s part of the reason that the score is, as Andrews describes, so simple. “The film was pretty low budget so my portion of the money was pretty thin. I couldn’t hire anyone, it was just me. I played everything; piano, mellotron, mini marimba, xylophone, ukulele, organ. I also brought in two female vocalists Sam Shelton and Tori Haberman.” “In a way,” he says, “YOUR FAULTS BECOME YOUR TRADEMARK.”
As someone with little-to-no knowledge of music theory, who’s taken a only a handful of drum lessons, and someone who writes music on a variety of instruments without any formal training on them, the excerpt above not only rings incredibly true, but has been and will continue to be an inspiration.
Andrews’ compositions for this film score have been almost as influential in my writing as any rock band I’ve ever listened to or admired, consciously or subconsciously.
Highly recommended listening.
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